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“Now, Moses, look sharp. Quit yer foolin’ an’ git busy,” called Mrs. Wopp, to the son and heir, whose toilet was not even begun. She herself was busy braiding Betty’s fair hair. “Be sure to warsh yer neck an’ ears. Larst party we was to, Mis’ Williams says to me, she says, ‘Is that your Moses settin’ on that bench? La me! he seems darker complected than I ever seed him before. I thort he were some Arfrican,’ she says. I hev always been a godly woman, Moses, ef I do go to a dance now an’ agin. Anyhow, the good book says there is a time to dance, but it aint got no patience with dirt. Git yerself cleaned up, then go an’ hook up the team.” “No, I didn’t forget; the water was low, and I left it running on purpose. But it’s that west wind; she’s a hummer. She can pump faster ’n the old waste pipe can discharge.” At last she looked up and pointed a startling finger at May Nell. “Mary Ellen Smith, my familiars, who guard the portals of futurity, declare that you shall be the first honored. Minions, depart! Slaves, guard the door!”.
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Conrad
From the waist down, Moses’ masculine and uncouth figure seemed to utter a dull protest against cut-me-downs. There are many forces in life that growing youths are not able to control. One of these, in the career of Moses, was the inexorable will of his mother that ordained homemade garments for his nether limbs. Made from his father’s discarded trousers of black and grey check, the new pair of abominations that adorned the legs of the youthful Wopp bore evidence to the unskilled fingers of the maker. They had the generous dimensions allowed by an imaginative and economical mind that could look into the future and could see legs lengthening and a general expansion. In fact, the coarse checked tweed fell in slight gathers, fore and aft. The dingy greenish-grey coat that slouched from Moses’ shoulders did not fail to heighten the effect, but seemed to set the costume in italics. Some of the voices were cracked and others badly out of tune. Moses Wopp’s voice, loudest of all, sounded like a foghorn and the windows fairly rattled in their frames. Nell motioned him to her desk. She thought by occupying his attention elsewhere the music lesson might proceed with more melody and less noise. Moses had developed his stentorian tones at home, by the lusty singing of Hallelujah hymns under the strict supervision of his mother. At this juncture there was a knock at the door. It was Howard Eliot who had called for Nell. “First you must eat, and rest, so that you can tell us about your mother; then we’ll see what can be done.” Mrs. Bennett took the child into the pleasant living-room where Billy had put a fourth place at the table next his own..
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